All these early KLH receivers always seemed to put out a lot more usable power than their modest specs would indicate. The Model Seventy-One is also an excellent choice. My personal favorite is the Model Fifty-Two from the early 1970s. KLH followed it with made-in-Japan receivers that continued to offer better than average performance and distinctive styling. Its iconic minimalist design and wonderful performance made it a true classic, highly valued to this day. KLH receivers were always something special, beginning in 1969 with the Henry Kloss designed Model Twenty Seven. A harbinger of things to come with the monster receivers of the late 80s, the KA-9400 still retained much of the cosmetic appeal that made Kenwood’s smaller receivers so popular in the mid-fi market. It had a striking appearance, albeit a bit more cluttered than classic designs. For those moving into higher budget very serious hi-fi, the Kenwood KA-9400 receiver was a worthy competitor to many of the biggest names of the period with great build quality and performance. The Kenwood KA-3600 cemented their position as a leading “bang for the buck" line. Technics had several receiver designs during these years that featured odd or overly cluttered cosmetics but the SA-5060 and SA-5070 kept the styling within the boundaries of “clean” and “classic.”Īnother favorite of mine is the Kenwood KA-3400 which moves you into the next tier of power (20+ wpc) and offers classic silver era styling. Not long after these models, Realistic receivers dropped the classic silver–era look in favor of the high-tech black styling and cheap construction that would come to dominate the market in the mid-1980s.Īnother classic late 1970s receiver was the Technics SA-5070. The STA-90 boasted considerably more power and seems to be one of the last Radio Shack receivers that retained a classic look and good build quality without excessive with frills and features. The STA-77 added a bit more power and fancier cosmetics. I listen to this unit daily in my office desk-top system. It is a lovely design, well- built with very clean and classic cosmetics. I own a relatively rare STA-76 which replaced the STA-47 in the mid-1970s. Another popular Realistic receiver with classic cosmetics was the STA-64/64B with 16 wpc.
Their successor, the STA-52 was not as well-made but still offered an attractive design with excellent performance for a 12 wpc design. Two of the most popular was the STA-45 and STA-47.
At the lower end, Realistic made a number of attractive models with good performance. Receivers in these years were often something quite special.
The KA-305 was a less elegant version of the 3500 that closed out the decade but still offered nice performance and minimalist cosmetics in the 40 wpc range.
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The late 1970s KA-3500 was at the entry point to a series of high performing amps. Among the very affordable models were the 13 wpc KA-2000, the KA-2002, and the KA-4002. Kenwood made wonderful amplifiers under the Trio and Kenwood brand names. The LA-125B and LA-950 were in the 25-40 wpc range. Lafayette Electronics made two good mid-power integrated amplifiers in the early 1970s.
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